BAUHAUS 100 WHAT NOW? * 11.12. – 13-12.2019 * Gropius Bauhaus Aula Katharina D. Martin participates as invited speaker at the international conference Bauhaus 100 – What Now? Thursday 12. December at 14.30 Martin will present Digital Technology: The new …
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CONFERENCE * UNIVERSITÉ SORBONNE NOUVELLE PARIS 2017
SENSIBILITY AND THE SENSES: MEDIA, BODIES, PRACTICES * THE NECS 2017 CONFERENCE PARIS 29. June – 1. July 2017 Hosted by the Université Sorbonne Nouvelle – Paris 3 * Pre-Conference 27 and 28 June 2017 Hosted by the Université Paris …
Continue reading »CONFERENCE * KONSTFACK STOCKHOLM 2015
DAUGHTERS OF CHAOS: DISCIPLINE, PRACTICE, A LIFE * STOCKHOLM 29. June – 01. July 2015 8th Deleuze Studies International Conference ‘Daughters of chaos’ describes the filial role with which Gilles Deleuze and his collaborator Félix Guattari have anointed the disciplines …
Continue reading »CONFERENCE * UNIVERSITÄT HAMBURG 2015
KONGRESS * TECHNE – POIESIS – AISTHESIS 17. – 21. February 2015 IX. Kongress der Deutschen Gesellschaft für Ästhetik zum Thema Technik und Techniken in Kunst und ästhetischer Praxis. Vortrag von K. D. Martin ‘Digitale Tarnung. Das Potential einer optischen …
Continue reading »PUBLICATION * CONFERENCE PROCEEDINGS 2015
ECOLOGIES OF CORPOREAL SPACE * 2015 Chapter by K. D. Martin in: Critical and Clinical Cartographies, International Conference Proceedings, Andrej Radman und Stavros Kousoulas (Eds.), Jap Sam Books and the Architecture Theory Chair at Delft University of Technology 2015, S.39-50 …
Continue reading »CONFERENCE * UTRECHT UNIVERSITY 2014
PHILOSOPHY AFTER NATURE * 3. – 5. September 2014 The Society for European Philosophy and Forum for European Philosophy, Joint Annual Conference The SEP/FEP conference is the largest annual event in Europe that aims to bring together researchers, teachers and …
Continue reading »CONFERENCE * ACADEMY OF FINE ARTS COPENHAGEN 2014
WHAT IMAGES DO * COPENHAGEN 19 – 21 March 2014 Symposium at The Royal Danish Academy of Fine Arts The aim of this symposium is to contribute to our understanding of what the image does (its pragma). The awkward entanglement …
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