Das Gesicht ist Politik, Zur Sehmaschine im Digitalen Milieu * 20.06.2018 um 17.00 Ein Vortrag von Katharina D. Martin im Rahmen der Vortragsreihe: Blick-Kontakt. Portraits und Profile in einer mediatisierten Welt. In ihrem Vortrag befasst sich Katharina D. Martin mit …
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CHAPTER PUBLICATION * ECOLOGIES OF CORPOREAL SPACE 2017
Edinburgh University Press * Katharina D. Martin: ‘Ecologies of coporeal space’ in: Sohn, Heidi/Radman, Andrej (eds.): Critical and Clinical Cartographies Architecture, Robotics, Medicine, Philosophy, pp. 178–312. Critical and Clinical Cartographies discusses the newly emerging discourses between architecture and bio-medicine and …
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2017 Amsterdam: Merlijn Olnon Publicis * transcript of the dabate on feminism with Jules Sturm and Katharina D. Martin at Wijsgerig Festival Drift 9. April 2016 Considering that there seems to be a third party to any conceptual binary, a …
Continue reading »CONFERENCE * UNIVERSITÄT HAMBURG 2015
KONGRESS * TECHNE – POIESIS – AISTHESIS 17. – 21. February 2015 IX. Kongress der Deutschen Gesellschaft für Ästhetik zum Thema Technik und Techniken in Kunst und ästhetischer Praxis. Vortrag von K. D. Martin ‘Digitale Tarnung. Das Potential einer optischen …
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ECOLOGIES OF CORPOREAL SPACE * 2015 Chapter by K. D. Martin in: Critical and Clinical Cartographies, International Conference Proceedings, Andrej Radman und Stavros Kousoulas (Eds.), Jap Sam Books and the Architecture Theory Chair at Delft University of Technology 2015, S.39-50 …
Continue reading »CONFERENCE * UTRECHT UNIVERSITY 2014
PHILOSOPHY AFTER NATURE * 3. – 5. September 2014 The Society for European Philosophy and Forum for European Philosophy, Joint Annual Conference The SEP/FEP conference is the largest annual event in Europe that aims to bring together researchers, teachers and …
Continue reading »CONFERENCE * ACADEMY OF FINE ARTS COPENHAGEN 2014
WHAT IMAGES DO * COPENHAGEN 19 – 21 March 2014 Symposium at The Royal Danish Academy of Fine Arts The aim of this symposium is to contribute to our understanding of what the image does (its pragma). The awkward entanglement …
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